We were never given a finite number of drawings to do; instead, we were told to do "endless" articulating cube studies of hands, or drawings of the bases of trees, etc. Whatever the topic, the number of required drawings was always "endless". Many drawing assignments refer to the book The Natural Way to Draw by Kimon Nicolaides.
*By the way, the paper in these sketchbooks is white, though maybe a little discolored by time. But nowhere near as yellow as they appear in these photos.
Along with drawing assignments, I evidently wrote down assignments for a Freshman Studio class in the same sketchbook. I remember finding them very obscure and confusing. I didn't like the teacher.
I recall doing a vividly colorful abstract painting based on the work of Hans Hoffmann, And then, suddenly, I was instructed to tear open a hole in the painting, for a reason I never totally understood. I'm guessing it had something to do with getting us to understand that our work was not so precious, and not to be afraid to explore how it could be transformed. But I had really liked the painting, and the transformation never sat well with me. I got rid of the painting after the end of the semester.
If I ever did the drawings of ears, I must have been so embarrassed by them that I made them magically disappear, because they are nowhere to be found in my bound sketchbooks. But there's plenty of gestures and cube studies of hands... Even then I was smitten with Flair pens, one of my drawing tools of choice. I also favored soft pencils and charcoal.
I especially recalled some of the weekend painting assignments, such as drawing and painting in the old Huguenot cemetery in the town, and a weekend painting assignment based on a still life of a (very smelly) fish on a platter in the painting studio. But I have no idea what ever happened to most of these paintings, or most of the drawings and paintings I did in college, both in class or as out-of-class assignments.
I did a bunch of Rouault studies, as well as studies from other artists, in my sketchbooks. Somewhere in my house I actually still have the self-portrait that I did working in the style of Rouault.
And then there's this bit of wisdom, straight out of Mr. Minewski's mouth to my sketchbook.
I hope I haven't bored you too much!!
I enjoyed reminiscing with you-we are of the same era and I wish I had kept more of my work. However, you had a much more intense drawing education than I did. I followed up my college work with drawing classes at community colleges, and lots of life drawing sessions.
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Somewhere I think I have a folder of some of the full-size drawings from those classes, but the paintings are sadly almost all gone.
Deletenever ever bored while visiting you! This is really good!!! Thanks for this whole whole whole blog! it has been so helpful
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