Showing posts with label paintbrush care. Show all posts
Showing posts with label paintbrush care. Show all posts

Sunday, December 29, 2013

Say Yes to the Mess: my state conference, part 3

me at the NYSATA conference TASK party!
So even though my state conference was back in November, I still have more to tell you.  So this post is NYSATA conference Part Three!  (There is still a Part 4 to come, and I'll certainly mention the TASK party then.)

I taught three workshops at the conference: one on Sheetrock carving, one on tooling foil relief, and the third one, called "Say Yes to the Mess", is the one that I want to tell you about today. This was the workshop that I was most fearful of presenting.  The other two were both hands-on, and we all know how much we art teachers LOVE attending hands-on workshops!
But "Say Yes to the Mess" consisted of a PowerPoint presentation, that was pretty much just images and bullet points, a handout with some more details, and the rest was, well, just me, doing my thing. So I did a dry-run of the presentation to my husband, and he promptly fell asleep.  Needless to say, I was worried.  Turns out, however, my worry was unnecessary.  I had many attendees tell me how much they learned from the workshop, and that it was the best one they attended all weekend.  They hung on every word I said!  Hurray!!  So here are my bullet points and some associated details -

The premise (my rationale for the workshop):   
We have a responsibility as art educators to engage our students in messy, hands-on activities on a regular basis.  In today's world, in particular, where kids type on a keyboard or portable device rather than writing by hand, where so much of what kids do is using electronic media, they have less opportunities for engaging in tactile, kinesthetic experience.  And this is what we were trained to do.  We need to give our students regular opportunities to squeeze wet clay or papier-mache between their fingers, to hold brushes dripping with creamy thick paint, to cut, to glue, to make messes, and to clean them up.
No Complaints/No Excuses: 
There are so many possible excuses for not using messy materials - inadequate (or no) proper facilities, no proper storage, shared workspaces, not enough money for materials, crazy schedules, no time to clean up properly, and on... and on....  But I come back to this: being an art teacher is what you were hired to do.  If you are not engaging your students in hands-on activities on a regular basis, you are not doing what you were hired to do.  Use your creativity to find a way to solve the problems of schedules, supplies, and workspaces.  It can be done.  Make this quote from Maya Angelou an integral part of your program:  "If you don't like something, change it.  If you can't change it, change your attitude.  Don't complain."   (Look closely at bulletin board pictures from my former classroom, and you'll see the #1 rule posted is NO WHINING.  I take this very seriously!  A positive attitude goes a long way!)

Solutions:
  • Positive attitude, as I've mentioned above.
  • Art room 'choreography' - how you plan and schedule your curriculum for optimization of storage and ease of cleanup.
  • Advocate for yourself and your program in the design of the school schedule
  • Organize and improve cleaning procedures
  • Training/enabling the kids - instead of doing all the cleanup yourself, train the students to take ownership over caring for the room and materials.
  • Make effective use of prep time
Making Cleanup Easy:
We discussed painting, papier-mache, plaster bandage, oil pastel, and collage procedures to help with cleanup.   I'll share a few of my favorite tips here.  
  • Paint distribution tricks -  Use limited colors instead of everything at once - warm colors one day, cool the next, for example.  Or a different color at each table and have the kids rotate tables to use a different color.  Or, prepare a large variety of colors of paint and place in a central location.  Students get one color at a time, and return it for a new color.  Put paints in plastic lidded 'solo' cups on trays and stack trays to use another time. 
  •  Best painting trick ever: the frame.  Draw a frame (or have students draw a frame) of about 1/2" inside the edge of the paper.  All painting is done inside the frame.  This way, you will have clean paper edges for carrying, you can lay them on the floor for drying if you don't have a drying rack, the tables will stay cleaner since no painting is done at the edges, and the paper won't curl as much as when it is painting to the edge!  Plus, when you hang them up to display, the artwork has built in picture frames! 
 
  • The Ugly Sponge and the Three W's - clean paintbrushes mean clean water and clean paint colors.  We use a designated set of old sponges for wiping paintbrushes after finishing with a color, and before washing.  This way, less paint goes into the water when the brush is washed.  Then, the brush is wiped again after washing and before dipping in a new color.  Any leftover paint and water is left on the sponge instead of in the new color!  Hence, the three W's are Wipe, Wash, Wipe.  While I don't have a photo to share here, let me tell you, this works!!
  • Baby Wipes/ Baby Oil!  Did you know oil pastels come off hands and tables with baby wipes, or a paper towel dipped in baby oil?  This can save on traffic jams at the sink at cleanup time! 
  • The Ziploc bag:  Use individual zipper bags for unglued collage materials, and weaving projects.  The kids don't lose parts of their work, and it makes everything so much easier!
And sometimes - just 'let it go' and make a mess!  
  • Try marbling with shaving cream, and use the shaving cream to clean the tables afterward.
 
  • 'Paint' by drawing with pastel chalks on wet bogus paper.
 
  • Add papier-mache goo to a bag of shredded paper from the office shredder to make a strong clay.  Want to see pictures of this stuff and what we've done with it?  Click here to see one of many posts using this amazing substance!
  • Jackson Pollock paintings?  Plan ahead for mess management!  It's worth it!  I've blogged about this project more than once; you can see one of the posts by clicking here.
Obviously, there were many more specifics in my workshop, regarding cleanup methods, paintbrush care, project storage, and more, but I think I've given you enough to read about today!  I hope you've found some of this worthwhile.  Please let me know if you have any questions.  

Thursday, March 14, 2013

Paintbrush care, and practical tips for easy painting cleanup

A conversation last night in a Facebook Art Teachers group has sparked this post, which I have intended to write for, like, at least a year.  So now is the time!  I've actually addressed the topic of cleanup before, but some of you may not have ever seen the older posts, and I'll give more detail here anyhow.

I'll start with some of my procedures for practical paintbrush use and care.  After spending 36 years teaching art, I feel well-qualified to address this topic, and hopefully offer you some helpful tips.  But like with a lot of other things, you will find that my procedures are often different from what is typical.  Over the years I have learned from others, and from trial and error, but in the end, I march to my own drummer and have trusted my instincts to figure out what works best, at least for me.  And lest you say "I think I've seen these images before", let me tell you that they all have appeared in prior blog posts over the almost three years I've had this blog. 

So the original question on Facebook had to do with painting procedures and water at the table.  I have seen a lot of blog posts where teachers are left with a sinkful of dirty, loaded paintbrushes at the end of the day.  Eek!!   Hopefully my suggestions will help prevent that situation.

If you look at the 4th grade paintings to the left (painted on 18"x24" white paper) from a still life setup, while studying Matisse), I think you will agree the colors are clear, not muddy. You'll notice the edges of the papers are unpainted.  More about that later.

The students set themselves up with water bowls between them, or sometimes had their own.  For my Royal Big Kid paintbrushes (which I love, but have short handles), I favor water bowls that have a wide bottom so they don't easily tip, and that are not too tall.  I don't want the brushes to fall into the water.  Also between the kids were what we fondly called our "ugly sponges".  These were shaped differently from the sponges we cleaned the tables with, so there's no confusion.  The ugly sponges have one purpose - removing extra paint from a brush.  From kindergarten up, the students were taught to "wipe, wash, wipe".  In other words, after using one color, the brush is wiped on the ugly sponge (or newspaper, or paper towel, depending on the circumstance) to remove excess paint, then washed with an up and down motion in the water bowl, touching the bottom.  We called this the washing machine.  It prevents the stirring that knocks water bowls over or causes splashing, and gets the paint off really well.  Then the brush was wiped again, to remove excess water before dipping in another color.  This really helps to prevent color contamination when painting with a new color, and helps to keep those yellow and whites pure and clean!

For this particular project, the students also each had one of those black dishes from diet TV dinners to use as a mixing palette.  A staff member donated hundreds of them to me!  A selection of paint colors (red, yellow, blue, turquoise, magenta,  and white) were placed in solo cups, on a large tray on my circular center table.  Each color had a pop stick in it.  Students would take their palettes to the paint table, use the pop stick to scoop some color, and then use their brush to mix.  Letting the students mix this way gave them a broad range of lively color choices, rather than colors straight from the bottle, and they had to figure out how to get what they needed, based, of course, on past learning.  Note that depending on the project, sometimes paints were placed at every table, but the central table was often used when students were making a lot of individual choices and I didn't want a dish of every color at every table. 

At the end of the class, students gave their brushes a final wipe/wash/wipe and they were collected in a bucket that had a couple of inches of soapy water.  Two kids took that bucket to the sink and gave the brushes a final wash (they usually were very clean at this point anyhow).

 My classes were 40 minutes long.  But  maybe yours are only a 1/2 hour.  If you use  the method I've described, I doubt you'll have time to have kids give the brushes the final wash at the end of class.  But that's OK.  With this system you are left with a bucket of almost clean brushes, rather than a sinkful of dirty ones, and that final wash will just take a few minutes at the end of your day.  Give it a try.

Now here's where I did something really different.  I'll bet you, at this point, now return the brushes to a container, with their brushes pointing up.  Of course you don't want them brush down, because we know they get a terrible case of "bed-head"!  But you don't really want them brush up, either, because the water seeps into the ferrule of the brush and eventually causes the glue to loosen and the brush to fall apart.  This has happened to you, right?  In an ideal world, you would hang the brushes so the tips dripped downward, but who has a way to do that??!  So, I covered an old cafeteria tray with a padding of newspapers, and the cleaned brushes, with their brush tips nicely shaped and smoothed, were placed on the newspaper padding to dry.  This way the tips stay nicely shaped, and the water does not seep into the ferrule.  The brushes will last longer.  If the next class is also painting, they can select brushes right off the newspaper to use.  The next day there is always a kid who wants to sort the dry brushes and put them back in the container.  Works like a charm!!

Meanwhile, those dirty palettes...  My room had a 'sloppy sink', and we collected them all in there and filled it with soapy water.  But this could also be done in a big basin, if no sink is available.  Later, there is usually a bored kid who loves to rinse them off and put them on the dish drainer (thank you, dollar store) to dry.  If we are using acrylic paints and not tempera, we simply let the paint dry in the palettes, and do NOT wash them.  The dry paint can be peeled off!  The kids fight for the chance to peel them! 

Now lets say the kids were painting with bigger bristle brushes.  My favorite water containers for these longer handled brushes, again to share with two kids, were empty Kool-Aid containers, which are pretty stable and curve inward at the top, which means drips go inside and not outside!   
The paintings above had no black in them, but I do love black paint, especially for outlining.  But one dip in a dish of black can contaminate the rest of the colors at the table.  So I taught kids that if they chose to use black, they needed to wipe the brush, then take it to the sink and give it a good shampoo before dipping in another color!  Unless, of course, everyone is using black.  Then there is a bucket for collecting just paintbrushes used for black.  Believe me, this really helps!  By the way, if we used black tempera for outlining, I usually premixed it with a little water to get it just the right consistency to outline smoothly but still maintain its blackness. 

 Sometimes, an 'alternative paintbrush' will make your life so much easier, and give the kids a fun tactile experience.  The kindergarten rainbow and pussywillow paintings above were done with fingerprints.  No brushes to wash, just hands!  The first grade lilacs were painted with long-handled Q-tips.  Disposable!

Sometimes, you can make your life easier by painting with just one, or a few colors at a time.  In the pop art paintings below, each table had only variations of one color.  No wiping and washing was needed at all!  One water bucket was placed on each table, and all the brushes started and finished class in that bucket.  The next class came in and used the same brushes, and the final wash didn't need to happen until the last class left the room.  Big time saver!!!  In the paintings below, students selected their table to paint their checkerboard and and circle (on a different piece of paper, which was cut out and glued on when dry) depending on their color preference.  The black paint was done on a different day, where everyone used just black. 


 Same thing here.  One day only warm colors were available, one color at each table, and the next class was just cool colors.  The black again was done last. 
 In the buildings below, an assortment of warm colors were placed at each table on the first painting day (students chose to paint either the sky or buildings) and the cool colors were done in another class period.  Yet again, black was added last.  In both the Andy Warhol cat painting and the Lichtenstein paintings below, all yellow was painted first, then reds, then blues.  Once a student left the yellow paint, they were not allowed to return to it!  As a result, the yellow paint remained clean.  Yeah!!  The dots on the Lichtensteins were done with those Q-tips again, and of course, the black outline was done last, and was also painted with Q-tips. 

Regarding table cleaning - to the left is a tower of my favorite water bowls.  I'm not sure what they were originally from, but you can see a Kool-Aid container and a couple of  other random containers that were found in my room.  Kids cleaning the sink area loved to create a tower at the end of class, and it helped the bowls drain and stay dry.
  •  Sponges - Kids like to clean up, and can be taught to do it well.  I'm not saying I never had to do any cleaning, but I tried to have the bulk of it completed by the kids, not me.  Starting in kindergarten, teach them how to use sponges!  Teach them that sponges must be moist, but not wet.  Show them how to use two hands to squeeze excess water in the sink before washing tables.  In case of spills on the floor, teach them to use the sponge to scoop the spill in one scoop-up stroke, and then rinse the sponge well and squeeze it out well before wiping up any leftover mess on the floor.  Repeat as needed.  I made sure kids knew that I wouldn't get angry if there was a spill, but they had to tell me and clean it up immediately, before everyone steps in it and spreads the mess!  I always had lots of sponges, so that kids could all participate in table cleanup. 
  • Placemats?  There were times we used newspapers under our work to keep tables clean, but generally, no.  I know many of you use 'placemats' but not me.  I found that paper under the artwork made spills more frequent. Plus I like big paper, and if you are painting on 18"x24" paper, you'd need mighty big placemats! I found table cleanup could be done quickly with lots of sponges and a bottle of non-toxic spray cleaner (that was used only by me).
  •  Borders?  So this wonderful, practical hint helps to minimize paint on tables.  Have kids draw a pencil or chalk border approximately 1/2" from the edges of their paper (for younger kids, I sometimes drew the border myself).  They are not to allowed to paint inside the frame.  This has several benefits:  First of all, if your paper isn't painted right to the edges, it will curl less when drying.  Yippee!  Second, it will give the artwork 'handles' - unpainted edges to make it easier to carry to the drying rack and keep hands clean! (Or in the case of big paper, sometimes we lined them up along the wall in the hallway to dry.  Unpainted edges means no paint on the hallway floor and happy custodians!) Finally, the unpainted edge gives the painting a nice white 'frame' for display, or a frame for decorating to give the artwork some pizazz!  I used this process for all large paintings, both tempera and watercolor, and often for smaller works too!  The tree paintings above, originally posted here, were painted on 12"x18" paper by 3rd graders, have an unpainted border, as do the 4th grade sunflower paintings above, and the 3rd grade "fauve fauve" paintings below.  The unpainted borders in this case, on 16"x20" paper, were made wider and were collaged with animal print tissue paper to complete the work.  To see a whole post on these paintings, look here.  
I hope I have been some help.  If you have any questions about specific materials or processes, please feel free to ask in a comment.  It took me a long time to figure out how to make big messy art with kids and keep my sanity and maintain my classroom, so I'm willing to share what worked for me.  And remember, with today's technology filled world, kids have increasingly less tactile experience.  They don't even play in the mud as much as we used to.  So it is our responsibility, as art teachers, to provide this tactile experience!!   Don't take the 'easy way out' with only markers and pencils because you are afraid of the mess.  Find a way to make the mess manageable, especially by teaching the kids to be responsible for cleanup and care of materials.